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Steve Stoft's avatar

There obviously is such a thing as Cultural Marxism.

As most who study this know, it has two main sources, Gramsci and the Frankfurt School, but also Franz Fanon.

You may be confused because Cultural Marxism is not Marxism, it’s a derivative of Marxism that dismisses the working class — that's not Marxism.

In the ‘60s, the far left turned against the working class to side with the “marginalized.” Marx called them the “lumpenproletariat”—workers in rags, and so did Eldridge Cleaver, the Black Panther Minister of Information:

. . . . “The Working Class, particularly the American Working Class, is a parasite upon the heritage of mankind, of which the Lumpen has been totally robbed by the rigged system of Capitalism. ... O.K. We are Lumpen. Right on.” —Cleaver, 1967

He credits Fanon, but it’s easier to see why the F. School and Gramsci turned against them. The working class turned against the Marxists and Socialists in Italy and Germany and jailed and killed them. So, a new theory was invented based on Marxism.

If you don’t believe Cultural Marxism is real, check out this paper by Douglas Kellner, who published the collected works of Marcuse: “Cultural Marxism and Cultural Studies.”

Marcuse was the very woke Ms Angela Davis's mentor, the new left's guru, and part of the Frankfurt school. Judith Butler pictures the two of them together on her Critical Theory Institute site at UC Berkeley. Butler is the godmother of Queer theory.

Robin Diangelo claims to have learned her politics from the Frankfurt school.

Alicia Garza of BLM credits Gramsci.

The Frankfurt School invented the concept of the culture industry, and Gramsci is credited with cultural hegemony.

Crenshaw, the founder of Critical race Theory in 1989, claims in two places that she named it after Critical Theory. That's the F. School's name for their cultural Marxism.

Read the founding document, Traditional and Critical Theory, Horkheimer, 1937. You will find that it hands the responsibility for the revolution to the marginalized and basically recommends that they must overthrow capitalist culture to reach an unspecified utopia.

Lindsay knows all this and talks flamboyantly about Marxism to get attention from a mass audience. He also exaggerates. But he knows a lot of history that you miss.

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Huxbnw's avatar

Probably the worst article I’ve read on Persuasion. Lindsay’s argument is far stronger than what is shared here. Doesn’t the Identity Trap discuss the intellectual history of how critical studies derived from the failures of Marxism?

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